Arab Media & Society

Maurice Chammah analyzes the thinking behind the Islam-oriented music television channel 4Shbab, noting contradictions in its vision of the interaction between Islam and the West. He looks at the audience which 4Shbab assumes already exists and the audience which it hopes to create, and discusses Western media reactions to the project.

Yasmin Moll writes on visual aspects of the phenomenon of Islamic televangelism, arguing that: “a consideration of contemporary media practices in Islam invites us to expand our definition of what the visual might be and what acts of seeing might entail.”

As the voice of the Hizbullah, you might expect al Manar to present a grim and gritty image, reflecting the Islamic organization that has upended Lebanon’s politics. But that’s not the case and the twist is fascinating, as Anne Marie Baylouny explains.

Absent participatory government, the film industry became a key political battleground in the late French empire. Historian Elizabeth F. Thompson compares struggles for control of the cinema in late colonial Fez and Damascus.

Jennifer Peterson tracks how traditional Sufi poetry is mixed and remixed into contemporary dance music heard widely on the streets of Cairo. Features video and audio examples.

During the Hizbullah-Israel War, blogs provided alternative on-the-ground accounts of events, says Sune Haugbolle. But can they challenge the social authority of old media?

Tracking Sami Yusuf's move into the mainstream is key not only for understanding Sami Yusuf as an Islamic artist but also as a useful index for how Muslims see themselves as participants in Western modernity. Christian Pond asks, will they, as encouraged by Sami Yusuf, choose the path of Islamizing modernity? Or will they choose the more complicated path of modernizing Islam?

In the wake of controversy triggered by Super Star and Star Academy, some observers have hailed reality television as a harbinger of democracy in the Arab world. Marwan Kraidy looks at the political implications of a new and popular genre hitting Arab satellite television.

In this article, Nicholas Cull reviews the performance of the United States Information Agency (USIA) during the Gulf Crisis and War of 1990-91. He concludes by contrasting the effective US use of public diplomacy during this period with the problems encountered following 9/11.

In contemporary Syria, the TV industry’s centrality renders it a particularly revealing site of ethnographic endeavor. It provides a valuable point of access to a complex and rapidly changing society, argues Christa Salamandra.